2013 Candice Demellza May 2026

By Lydia Cross | September 2013

As we part ways on a drizzly Kingsland Road, she pulls out a battered notebook. On the cover, scrawled in silver Sharpie: Candice Demellza – LP1 (do not steal). She catches me looking and winks.

“Lana is a character,” Demellza clarifies. “I’m just… me. But the me that doesn’t text anyone back for three days.” 2013 candice demellza

In 2013, the internet was still a collage—Tumblr’s grainy GIFs, early Instagram’s Nashville filter, and the last gasp of the indie sleaze era. Demellza’s visual world taps directly into that vein. Her music videos (self-directed, shot on a friend’s Canon 60D) feature thrift-store lace, flickering CRT televisions in empty fields, and the kind of melancholic, sun-bleached loneliness that defined the early work of Lana Del Rey —minus the calculated glamour.

“Next year. Maybe.”

Her debut EP, Saltburn , dropped in April on the tiny independent label Glass Wax. No PR blitz. No radio plug. Just seven tracks of lo-fi electronics, warped cello samples, and that voice. The lead single, “Heavy Hand,” started as a bedroom recording on a broken Tascam 414. By June, it had been streamed over 400,000 times—a viral drip, not a flood.

For now, 2013 belongs to the quiet ones. And no one is quieter—or louder—than her. Listen: “Heavy Hand” by Candice Demellza is available on Glass Wax Records / Bandcamp. By Lydia Cross | September 2013 As we

The song’s hook is deceptively simple: “You held me like a heavy hand / I let you, I let you.” It’s a gut-punch of post-relationship fatigue, set to a beat that stumbles like a heart missing a few valves.