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Adore is the kind of film that begs to be discussed rather than simply watched. Based on Doris Lessing’s novella The Grandmothers , this sun-drenched Australian drama presents a provocative premise: two lifelong best friends (Naomi Watts and Robin Wright) begin romantic and sexual relationships with each other’s teenage sons.

Adore is a beautiful, frustrating, and utterly strange film. It is too melodramatic to be a serious art-house hit, yet too slow and contemplative to be a trashy thriller. For viewers willing to suspend modern ethical lens and embrace the film as a fable about obsessive love, there is a hypnotic, tragic quality to it. You will likely find yourself shouting at the screen, but you probably won’t look away. adore full movie

The young male leads (Xavier Samuel and James Frecheville as the sons, plus Nicholas Hope as a family friend) are adequate, though they are often reduced to objects of desire rather than fully realized characters. The film is less about the boys’ coming-of-age and more about the women’s unravelling. Adore is the kind of film that begs

On the surface, the film is visually stunning. The setting—a sleepy, coastal beach town—is shot with a hazy, dreamlike quality. The turquoise water and golden sand create an Edenic paradise that deliberately contrasts with the deep, messy taboos being explored. Director Anne Fontaine lingers on the beauty of the landscape and the actors, using the natural light to create an atmosphere of timeless, forbidden indulgence. It is too melodramatic to be a serious

Rating: ⭐⭐½ (2.5/5)