Alicia Florrick States Attorney [hot] Link

She walked away. Diane did not call her name.

"No," Alicia said quietly. "For one dead boy whose name you haven’t even spoken. His name was DeAndre Washington. He was seventeen. He liked comic books and wanted to be a nurse. And Kurt’s 'footnote' made sure the man who shot him in the back is walking free right now."

Diane met her eyes. "He said, 'Then I suppose I’ll have to live with that.'"

The story of Alicia Florrick was never about being good. It was about being the one willing to pay the price for the truth.

Alicia turned away. She couldn’t look at Diane. She couldn’t look at Kurt. She looked at the jury.

"And what did he say?" Alicia asked.

Diane took the stand, her posture regal, her voice steady. "Kurt told me he was 'helping a good cop.' I told him there is no such thing as a 'good' lie in a murder case."

Modeling Reality

Modeling Nature and Physics is a growing practice for reaching true-to-life systems simulations with 'alive' feedbacks, including complexity management and unpredictability integration.

While in the past running an accurate Physical Modeling simulation was possible (due to its complexity) only on expensive multi-processor workstations or even computer clusters, today thanks to the exponential increase of modern CPUs' processing power, reaching parity with real instruments is possible in real-time (including polyphony and multi-istances possibilities) at a fraction of the costs.

IronAxe is the first in a series of instruments developed by Xhun Audio to use this revolutionary technology. The core of this kind of approach is the interaction between the Instrument's model, the Performer's model and the Unpredictability simulation.

All the six Strings, the Transducers (Pickups), the Plectrum/Finger excitation and more as well as Performer's actions like Palm Muting, Tapping Harmonics (even muting a String after its excitation is possible) are physically simulated. Add Unpredictability (instrument's and performances' micro-imperfections) to the equation and what you hear at the end of the whole process is given by the interaction of this three worlds.

The result is an 'alive' instrument, a state-of-the-art simulation for an unparalleled realism.

Features

She walked away. Diane did not call her name.

Diane met her eyes. "He said, 'Then I suppose I’ll have to live with that.'"

The story of Alicia Florrick was never about being good. It was about being the one willing to pay the price for the truth.

Alicia turned away. She couldn’t look at Diane. She couldn’t look at Kurt. She looked at the jury.

"And what did he say?" Alicia asked.

Diane took the stand, her posture regal, her voice steady. "Kurt told me he was 'helping a good cop.' I told him there is no such thing as a 'good' lie in a murder case."

Audio Demos