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The result was two distinct spaces. (often called "The Pool Room") was a windowless, masculine den. Its centerpiece was the Pool —a shallow, shimmering rectangular fountain of carnelian and white marble, framed by chain-mail curtains designed by artist Richard Lippold. The other room, The Four Seasons proper, faced the Seagram Plaza with floor-to-ceiling windows, birch trees that were changed out for each season, and a shifting floral display by the sculptor Karl Bitter.

Baum was a visionary. He believed that a restaurant could be a destination, a piece of theater. He gave Johnson a mandate: build a room that changes with the seasons, a room so beautiful that people would weep. Johnson delivered. menu four seasons restaurant nyc

But Mies, famously, hated restaurants. He considered them messy, low-brow intrusions on his pure, rectilinear spaces. It was his protégé, , who convinced him otherwise. Johnson was designing the interior of the ground floor and lobby; he saw a void that needed life. He recruited two young, ambitious restaurateurs: Joe Baum and Restaurant Associates . The result was two distinct spaces

It was, simply, the best.

Whether the resurrection happens or not, the Four Seasons Restaurant is already eternal. It sits in the memory of anyone who ever saw the light hit that chain-mail curtain just right, or heard the soft splash of the Pool over a whispered merger. It is the ghost at every power lunch, the standard by which all other rooms are judged. The other room, The Four Seasons proper, faced

In its prime, the Four Seasons offered one of the most intoxicating drinks in New York: the feeling that you were exactly where you were supposed to be. And as the lights dimmed on that final night in 2016, one waiter was heard to whisper to a regular, "Don't worry, sir. We'll be back. We always come back in the spring."