On Piano Playing By Gyorgy Sandor Page

A unique feature is Sándor’s firsthand insight into playing Bartók’s percussive, asymmetrical music. He demonstrates how Bartók’s folk-derived rhythms and dissonant clusters demand non-traditional motions (e.g., flat-fingered attacks, arm clusters). The book includes exercises derived from Bartók’s Mikrokosmos and Sándor’s own etudes.

Overview

Sándor insists that motion and sound are inseparable. He critiques the myth of “finger independence” as anatomically impossible, replacing it with coordinated arm, hand, and finger movements. Tone quality, he shows, is controlled by the speed of the key descent and the weight behind the finger , not finger pressure. His chapters on phrasing, pedaling, and rhythm connect technique directly to musical expression—each motion must have a sonic goal. on piano playing by gyorgy sandor