You could hear the echo of the Ryman Auditorium’s wooden pews. You could hear the sweat on his fretboard. The K6 has a "family sound" of alacrity and rhythmic snap, but the K6 adds a layer of density to the midrange that the smaller ProAcs (like the D2R) lack. It is brutally fast, but never thin.
But walk three feet to the left? The magic breaks. The K6 has a laser-focused sweet spot. This is not a speaker for dinner parties. It is a speaker for a single person in the dark, holding a glass of whiskey, listening to Kind of Blue and noticing that Jimmy Cobb’s hi-hat is slightly loose on the left channel for the first time in twenty years.
The Setup It was a damp Tuesday in Cheshire. The usual suspects were in the listening room: a Naim ND555 streamer, two gargantuan Statement amplifiers, and cables that cost more than a used car. The speakers they were replacing were no slouches—venerable Wilson Watt/Puppies. But curiosity about ProAc’s flagship K6 had been gnawing at me for months.
You could hear the echo of the Ryman Auditorium’s wooden pews. You could hear the sweat on his fretboard. The K6 has a "family sound" of alacrity and rhythmic snap, but the K6 adds a layer of density to the midrange that the smaller ProAcs (like the D2R) lack. It is brutally fast, but never thin.
But walk three feet to the left? The magic breaks. The K6 has a laser-focused sweet spot. This is not a speaker for dinner parties. It is a speaker for a single person in the dark, holding a glass of whiskey, listening to Kind of Blue and noticing that Jimmy Cobb’s hi-hat is slightly loose on the left channel for the first time in twenty years.
The Setup It was a damp Tuesday in Cheshire. The usual suspects were in the listening room: a Naim ND555 streamer, two gargantuan Statement amplifiers, and cables that cost more than a used car. The speakers they were replacing were no slouches—venerable Wilson Watt/Puppies. But curiosity about ProAc’s flagship K6 had been gnawing at me for months.
