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The Return Tide Setting: A fictional coastal town, Port Sentinel (inspired by The Bay ) The rain came sideways that morning, lashing the windows of the morgue as DS Leah Armstrong pulled her collar up and ducked inside. Port Sentinel hadn't seen her in six months — not since the Hollingbrooke case left her with a fractured rib and a suspended badge.
Static crackled. Then Marsden's voice, quieter than she'd ever heard it: "Leah… I know. I put the first photo in that room. I was seventeen. I thought I was protecting someone."
Ellie Marsden, the chief's daughter, a bright-eyed marine biologist who'd gone missing two days ago. Her car was found parked at the old ferry dock, engine running, phone on the seat. No blood. No note. Just a single barnacle-encrusted key on the dashboard — the kind that opened the old lighthouse keeper's cottage.
She wasn't supposed to be back. But the call came at 4 a.m. from DCI Marsden: "Leah. It's Ellie."
Some tides, she thought, don't bring answers. They bring older questions — ones that drown you either way. If you'd like, I can continue the episode as an original script treatment or a prose summary. Just let me know — and for a full episode, I'd recommend watching the actual S03E01 of The Bay (ITV/Tall Story Pictures) legally via streaming or Blu-ray.
Leah radioed Marsden. "Chief, we've got a problem. Your daughter didn't run away. She was looking for something down here. And she found it."
